Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

07 July 2008

The Postmaster by Rabindranath Tagore

I've figured that it always helps people studying literature, when there is a comprehensive set of ideas they can start from. I've always loved studying literature and spending detailed, organized time analyzing my readings. It helps! The insights it gathers and presents to a person is invaluable.

In the small village of Ulapur, an Englishman who owns an indigo factory near it manages to get a post office established. A postmaster from Calcutta gets separated from his family and transferred to this village. From the noise of the city, he comes to a deserted village with just scattered glimpses of people.

Tagore, a lover of nature, uses it to describe the surroundings. The postmaster’s office has a green, slimy pond, surrounded by dense vegetation. The way he describes this shows that postmaster is not in a position to appreciate his closeness to nature.

There are three central themes to this story.

Firstly, the story revolves around ‘longing and separation’; starting and ending with this. The postmaster is taken away from his family and brought to a remote village. He was in a village, where its busy people were no company, and he was left with not much work to do. He tries to pacify his longing emotions by writing poetry. However, the fact that he tries to write something external to him, like nature, makes it an impossible venture.

An orphan girl of the village, Ratan, helps him with his daily chores. He speaks to her about his mother and sister in the evenings, and would keep enquiring about her family. He would speak with sadness of all those “memories which were always haunting him”.

Secondly, ‘companionship’, and thirdly ‘dependency’ can be seen through how the relationship between the postmaster and Ratan grows through the course of this story. Ratan did not have many memories of her family to be recalled. There were only fragments, like pictures, of her father coming home in the evening, and her little brother whom she played with, fishing on the edge of the pond.

Once she met the postmaster, ‘Dada’, she spent her days with him. She would sit outside his shed, being only a call away from him, and doing all the small chores. Dada would share his meals with her. Then in the evenings, she would listen to him talking about his relatives and in imagination make them her own.

Tagore translates the longing ringing in Dada’s heart to nature, when he says, “A persistent bird repeated all the afternoon the burden of its one complaint in Nature’s audience chamber.” A man, who initially failed his attempt at verse, thinks of this as parallel to his emotions. Poetry is something that comes from the inner overflow of emotions. He hopes for the presence of a loving human being he could hold close to his heart.

The same theme of longing is discussed in Kamala Das’ poem, “Hot Noon in Malabar”. However, the situation is flipped. She is ripped from Malabar, a town life, to the noises and solitude of a city, Bombay. She says:

“To be here, far away, is torture. Wild feet

Stirring up the dust, this hot noon, at my

Home in Malabar, and I so far away....”

The postmaster can’t stand the quietude of Ulapur. He longs for the noises of traffic and life in Calcutta.

One evening, he tells Ratan that he is going to teach her to read. She grows closer to him. She sees him as her only relative. She grows dependent.

But, as the season’s rain seemed like it would never end, like the constant patter on the roof, Dada was troubled by his heart’s exile. He falls sick in his solitude. Ratan takes care of him, and he recovers just taking her presence for granted. But, he then decides that he has to leave this village. He writes an application of transfer, based on the unhealthiness of the village. The transfer is rejected.

He tells Ratan that he has resigned and will be leaving the village. She asks him to take her with him. He thinks of it as an absurd idea and she is haunted by his reaction. Next morning, she fills a bucket of water for him. He bathes and waits for the next postmaster to arrive.

He consoles Ratan saying that he would inform the postmaster about her. He even offers her some money to keep. She refuses both and expresses that she doesn’t want to stay there any more.

Ratan has lived a life of loneliness. Dada was her only companion, and the only one who seemed to understand her. She is broken, when he has to leave without her.

He leaves as soon, as the new postmaster arrives. He hesitates for a moment as the boat leaves, but it is too late for him to take her with him. Tagore illustrates the two ways a human mind works. The postmaster uses the element of philosophy to console himself. He tells himself that meeting, attachment, and departing are all part of life. It will all settle with the passage of time. The wind that fills the sails of the boat indicates the reason the postmaster fills his heart with, as he separates himself from the village.

However, Ratan stands outside the office “with tears streaming from her eyes.” She has succumbed to a common human folly, as Tagore expresses, of hope. She has been separated from her only bond and now longs for it to return. Tagore ends by saying that humans often fall into hope than seeing the reason, and long before we realize, disappointment becomes too hard to handle.

This short story was eloquently presented in Satyajit Ray’s Teen Kanya (three short stories on two girls and woman, by Rabindranath Tagore).

The Postmaster

1. A Post Office in Ulapur: A remote village, with no need for a post office. An Englishman, owner of the indigo factory near the villages, manages to set it up.

2. Postman transferred – a man from the city, is brought to quiet village. He becomes lonely because he has not company or much work to do.

3. He tries to write poetry, but fails. Because he is not writing about what he feels, but something outside of him.

4. He meets a small orphan girl, Ratan. Both of them give each other company. He shares his meals with her. She does all small chores for him. He talks to her about his family.

5. One day, he decides a good way to use time is to teach her to read. Ratan grows closer to him, but he is still longing to go back to the city.

6. He falls ill, and she takes care of him. He then decides to transfer and get away from this village. He applies for transfer, on the pretext of his unhealthiness and the village’s lack of hygiene.

7. His transfer is rejected and he resigns his job to return home. He tells Ratan this. She asks him to take her with him. He shuns the idea. She gets hurt.

8. She fetched bathing water ready for him in the morning. He tells Ratan that he would tell the next postmaster to take care of her. But, she is deeply hurt and asks him not to tell anyone. She even refuses the money he gives her.

9. He leaves. And when on the boat, for a moment he feels that he should go back and get her. But, he philosophizes and says that people meet and have to depart.

10. Ratan is in no position to reason. She stands outside the office in deep hope that he will come back. Finish with Tagore’s opinion on hope, and the human mind’s mistake. He says that humans will keep hoping, and disappointment becomes harder to handle.

Themes:

  1. Longing and Separation: The story starts and ends with this, The postmaster is taken away from his family and brought to a remote village. He spends his evening with Ratan speaking about his family: “memories which were always haunting him”. He also falls sick from his heart’s exile and loneliness. The story also ends with this. Ratan gets separated from him. She stands with streaming tears and longs for him to come back, “wandering about the post office with tears streaming from her eyes”.
  2. Companionship, explain about the postmaster’s and Ratan’s relationship.
  3. Also explain how they depend on each other.
  4. The contrast between the city and the village, best from the postmaster’s point of view.

Ideas:

  1. Philosophy – abstract study of life, reasoning the happenings. He consoles himself saying everything is part of life.
  2. Hope – she is no position to reason. She sinks deep into hope. Tagore states this as a common human mistake.

Also add that Tagore is primarily a nature writer. So, bring out the references of how he uses nature to illustrate the emotion.

12 June 2008

Blaft?

What is that strange noise? It's resonating all over this world. Where is it coming from? Blaft! The sounds of an alternate universe of creativity, dreams, eccentricity, and well...purple creatures:
What is Blaft? Blaft is an amazing new independent publishing house, based in Chennai, that successfully launched itself into the realm of exploratory literature and art, on 16th May 2008. Don’t miss out on them. They present an array of unique and exclusive publications. If you want something new to read, you must pick up one of their books, all available on www.Amazon.com, www.landmarkonthenet.com, and all major bookstores in India, USA, and Canada. So, who started Blaft? Two extremely versatile, excited, and happy characters: Rashmi Ruth Devadasan lives a life of cinema, theatre, and writing. Her ideal world would be rows of bookshelves and DVDs She has worked with Director Gautam Menon since his first film Minnale, and is an active part of The Perch Collective. Kaveri Lalchand is an apparel manufacturer and exporter, and a fashion designer. She is passionate about theatre, dance, the culinary arts, travel, old buildings, meditation, people and books. What have they published? The Blaft Anthology of Tamil Pulp Fiction selected & translated by Pritham Chakravarthy edited by Rakesh Khanna Cover illustration by Shyam Cover design by Malavika PC Mad scientists! Desperate housewives! Murderous robots! Scandalous starlets! Sordid, drug-fueled love affairs! This anthology features seventeen stories by ten best-selling authors of Tamil crime, romance, science fiction, and detective stories, none of them ever before translated into English, along with reproductions of wacky cover art and question-and-answer sessions with some of the authors. Grab a masala vadai, sit back and enjoy! List of authors: Suba; Rajesh Kumar; Vidya Subramaniam; Indra Soundar Rajan; Ramanichandran; Pattukkottai Prabakar; Tamizhvanan; Pushpa Thangadorai; Brajanand V.K.; Resakee Price: INDIA Rs 395/- US $17.95 India: Order from Landmark Bookstores Outside India: Pre-order from Amazon.com

Zero Degree by Charu Nivedita translated by Pritham K Chakravarthy edited by Rakesh Khanna Cover design and illustration by Malavika PC

With its mad patchwork of phone sex conversations, nightmarish torture scenes, tender love poems, numerology, mythology, and compulsive name-dropping of Latin American intellectuals, Charu Nivedita's novel Zero Degree stands out as a groundbreaking work of South Indian transgressive fiction that unflinchingly probes the deepest psychic wounds of humanity

Price: India Rs 315/ - US $9.99 India: Order from Landmark Bookstores Outside India: Pre-order from Amazon.com

when this key sketch gets real tongue is fork hen is cock when this key sketch gets real my baby eagle's dream comes true drawings by Natesh Chennai-based artist Natesh is perhaps better known for his installation artworks and colorful paintings, which have recently been exhibited in New Delhi. This collection of some seventy ink drawings of surreal combinations of hands, women, fish, tigers, eagles, and rhinoceroses showcases the amazing things Natesh can do with a simple black line.

Price: INDIA Rs 395/- US $17.95 Outside India: Pre-order from Amazon.com

Each book delves into strange, bizarre and brilliant worlds. This is a feast for the every reader’s mind. Blaft plans to keep growing and casting purple eyes on strange stories, dreams, and worlds. In future, they are planning on translations of fiction from various South Asian regions, English fiction, comic books, graphic novels, children's books, non-fiction, textbooks, how-to-manuals, encyclopaedias, and kitchen appliances, Wonder which world they may capture in their forthcoming publications.

Catch the Blafters on www.blaft.com 27 Lingam Complex, Dhandeeswaram Main Road, Velachery, Chennai 600 042. India. T: +91 98843 06144 / 98840 06145 Email: blaft@blaft.com

Still Life With Woodpecker

As a child I thought I would never read love stories, and I would grow up far from mushy romanticism. Years after certain blind assumptions, my luck turned to be brilliant with a handful of carefully selected love stories. The journey started with Haruki Murakami's Norwegian Wood and Wind-up Bird Chronicle. This week, I read Still Life With Woodpecker (1980) by Tom Robbins. It explores love in very unique and exquisite ways. Robbins writes the story of a princess, Leigh-Cheri, and an outlaw, Bernard Mickey Wrangle. This a revolutionary post-modern fairy tale of dynamites and saving the world. Still Life With Woodpecker talks of some strange relationships of the writer and his Remington SL3, of Woodpecker and his dynamites, of Guiletta and her toot, of Camel Cigarettes and solitude, of Princess and her Prince Charming, of European Royalty and America, and of love and its Moon. The narrative urges the reader to watch the Moon, learn childhood, listen to fairy tales carefully, observe objects, and delve in solitude. The writing is dynamic and runs in express speed. It separates the narrative, writer, typewriter, reader, and characters on different planes, but manages to place them in the same chamber of thought. This is beautiful, eccentric, and something everyone should read. Who is an outlaw? What is the basis of social activism? Who are the Redheads? What is importance of the Moon? The book keeps on asking questions, searching in the depths of life and thought. It bursts like dynamite lit up in a dark little chamber. The pages fly. It struggles to discover, what makes love stay. *Cover design - Leslie W. LePere **Click cover to Buy at Amazon.com

14 March 2008

The Story of a Shipwrecked Sailor

Often when a writer travels, interviews and by life gets to a know a lot of people, he/she goes through much trouble to unearth privacy, stories that don't really belong to them. Yet again, that is the job of writer, mainly a journalist - making another's story a creation of their own intellect. The triumph to stay alive, the implications of heroism, the social set up of Columbia under the military and social dictatorship of General Gustavo Rojas Pinilla, run a seam across the story-line of "The Story of a Shipwrecked Sailor," by Gabriel Garcia Marquez.
The narrative stands alone to talk about the wavy depth of the story telling talents both that the protagonist and Marquez have acquired through the years. This book, particularly, is a different and unique publication by Marquez. It is a typical journalistic reconstruction, like many of his other creations like "Of Love and Other Demons," but these pages are thoroughly filled with the view Luis Alejandro Velasco.
Marquez, the famous magical realist, with in-depth understanding of realism needed for courageous jounalism, reconstructs a narrative, publishes it, but warns us that he was pretty much persuaded to lay it on the shelves for sale.
The most intriguing aspect of this author is that he will never fail to tell you from which incident and from what understanding of realism, did the narrative bloom.Nothing puts his magic in words, other than his own, where he writes an abstract for this 'reconstruction' - "The Story of a Shipwrecked Sailor who drifted on a life raft for ten days without food or water, was proclaimed a national hero, kissed by beauty queens, made rich through publicity, and then spurned by the government and forgotten for all time."
Marquez has a passion for magic, and writes poetic prose. Much noteworthy claim goes to the translators of his writing. This book has been translated from Spanish by Randolph Hogan. The translator needs credit for keeping alive a writer in a different language, a different system, with the same magic.Penguin Publishers sell this book globally, at reasonable rates. In India, one can get a legal copy for Rs. 170.